Their infidelities damaged their relationship, and Ferrer and Hepburn decided to end their year marriage, formally announcing their divorce in November of In addition to a new marriage and two awards in , Hepburn also stole the show in Billy Wilder's Sabrina , starring Humphrey Bogart and William Holden. The actress earned herself another Academy Award nomination for her role in the film—and also landed in a deep love affair with her co-star. During the filming of the beloved classic, Hepburn and Holden had a secret Hollywood affair and fell madly in love with one another. Epstein, author of the biography Audrey and Bill.
Though Hepburn loved Holden during the time of their affair, she desperately wanted marriage and children, and after learning that Holden had undergone a vasectomy , Hepburn officially put an end to their relationship. I could hear my footsteps echoing against the walls of the transit corridor, just like a condemned man walking the last mile.
I realized that I had to face Audrey and I had to deal with my drinking. Holden tried to win Hepburn over one last time during filming, but Hepburn was content in her marriage with Ferrer at the time. Holden died in at the age of 63, the same age as Hepburn, who died in While filming, Hepburn grew close to the film's screenwriter, Robert Anderson, and the two reportedly had an affair. According to Audrey and Bill author Epstein, Hepburn heard rumors of Ferrer's infidelities, which led to her decision to have an affair with Anderson.
Shortly after divorcing Ferrer, Hepburn married once again. On January 18, , she wed Italian psychiatrist-neurologist Andrea Dotti , whom she had met on a cruise. After their wedding, the couple settled in Rome and enrolled Hepburn's son Sean in a bilingual school. Four months into her marriage, Hepburn became pregnant again. On February 8, at the age of 40, Hepburn gave birth to her second child , Luca Dotti was born. With the birth of her new son, the actress decided to take a break from Hollywood and devote her time to being a mother at La Paisible, her chalet in Tolochenaz, Switzerland.
Hepburn's break from Hollywood was a tumultuous time for the new mother. While dealing with rumors of Dotti's inappropriate social life, including affairs with young women, Hepburn also experienced another miscarriage in By , Dotti's affairs had grown increasingly more public, with his outings detailed in the press.
Finally, in , Dotti and Hepburn officially ended their more than year marriage. Cancel anytime before your trial ends and you won't be charged. There's no complicated contract, no cancellation fees, and no commitment. Cancel online anytime, 24 hours a day.
Of Fire and Stars
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It was the costume designer Edith Head who first spotted that Hepburn was more like a model than an actor. To go from Hepburn in photographic form to one of her actual film performances is often a disappointment.
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She spoke in princessy tones as if English were a foreign language, which it was. Her mother was a Dutch baroness and her father — who abandoned them when Audrey was six — was an English fascist. Audrey and her mother spent the war in the Netherlands, where they suffered terrible malnutrition, and the little girl was always warned that she must not speak English in public.
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Perhaps this explains the strained intonation in her voice. The problem is not with her accent — after all, that was no obstacle for Ingrid Bergman — but the sense that she is often failing to connect with the basic register a line requires. She got her first big break when the French writer Colette spotted her in a hotel lobby and wanted her for the lead role in Gigi on Broadway. She is sitting at a bar wearing a coat, surrounded by laughing, drinking men.
She stares straight at us, with the loneliness of someone in an Edward Hopper painting. Our need to make Hepburn into an icon suggests that it is often the idea of a classic film that we love more than the thing itself.
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A few nights ago, I watched Charade. The plot is one of multiple identities, with shades of North by Northwest. The plot lurches from mystery to jeopardy to romance, but unlike Grant, who slides smoothly into his usual ambivalent character, Hepburn never seems able to summon the requisite emotions.